Charles Bronson Prner Movie Bronson Loosely
Originally born Michael Gordon Peterson, Bronson has lived his life in and out of prison for a variety of crimes.The movie Bronson loosely follows the true story of the infamous "most violent prisoner" in the UK - a man named Michael Peterson who later changed his name to Charles "Charlie" Bronson on the advice of his bare knuckle boxing promoter. If you heard the story of Charles Bronson, you’d be deeply confused as to how this guy is possibly the UK’s most dangerous prisoner. Here’s why Charles Bronson is still the UK’s most dangerous prisoner.
Having far too much "ambition" to let this stop him, he instead ends up becoming infamous. We are told right off the bat by Bronson that his greatest desire is to "be famous," yet he believes he has limited avenues for achieving the type of fame he craves. Hardy took on the role in 2008 film.
This time, the police show up with a warrant at his parent's home. Bronson violently attacks the police as soon as they enter his room. As an adult, Bronson steals a relatively meager amount of money from a register at his work place, and gives some to his girl friend. She slams the door in their faces as she coddles Bronson in their middle class home.
Charles Bronson Prner How To Properly Direct
Thus, Bronson is never taught how to properly direct his substantial "ambition." We see that this has the effect of distorting his ambition into a sexualized aggression without limits. Bronson's father appears too inadequate to even communicate to his son. Unfortunately, both parents fail to serve as ambassadors to reality. As soon as the sentence is read, his mother exclaims: "Don't worry son.you'll be out in four!" The irony is that Bronson himself turns this 7 years into well over 30.We see clearly that Bronson's mother never set limits with him, nor introduces him to the demands of reality.
He sees himself as "famous" in prison, yet in reality achieves only infamy. But in the real setting of the prison, Bronson makes it clear that this too is simply another stage. Before this audience, he becomes a dynamic, one man show, and seems to be most alive in this fantasy forum. This reaches a zenith when Bronson proclaims that prison is "a blast" and the ideal place for him to "sharpen" his "tools."The movie slips into nicely done, periodic narrative interludes in which Bronson is on stage before a large audience telling his life story.
He attacks and nearly kills a pedophile who had displeased him during his stay. He finally reasons that he must take drastic action to force the hospital into wanting to dispense with him.Of course, he relies on the ability that had taken him this far- his predatory aggression. But a closer inspection reveals the glowing embers of undaunted "ambition" present in his eyes. The burly psychiatric attendants inform Bronson that he is no longer in prison, and they are "lion tamers." We see Bronson's violent impulses paralyzed with involuntary medication. As this part of the movie takes place in roughly the 70's, this segment drags out all the old stigmas- overmedication, drooling, zombification of patients, etc. He could erupt into violence at any given moment, causing his presence to carry a constant, animalistic threat of danger.After too many repeated violent attacks on correctional officers, Bronson admits to himself he has made a mistake - for he is next sent to the psychiatric hospital.
After all, he must at some level realize that it is a lie, that reality demands consequences, and that being "famous" takes more than a mere willingness to throw punches at the drop of a hat. Bronson manages to spend a generous "69" days in free society, earning money in a variety of illegal, violent endeavors.Bronson (a fantasy, "stage" name) tries to extricate himself from the frustrating, disappointing fantasy in which his mother has trapped him. He leaves to join his distinctly effeminate, antisocial uncle Jack, who gratifies all his desires. It is only after Bronson stages a war-like, facility wide riot, that psychiatry arrives at a curious administrative "solution": Bronson is officially declared "sane." Thus, he is fit to be discharged, and released into the community.His loving parents take him back unquestioningly, and offer him a room in their new home. When even his mother fails to gratify him unconditionally- an inevitability (upon release from prison, she had not kept every single one of his belongings, most critically his bed), even he cannot tolerate her any longer. He is shocked and irate to discover that this new "system" is not going to hold him accountable (a narrative interlude has him act this out made up as half Bronson, half female nurse/administator).
Bronson begins to make money as an underground, bare knuckle brawler. At what point must he relinquish blaming his parents, and begin to consider himself for maintaining the destructive fantasy in the face of so many lessons not learned?Bronson’s uncle Jack strongly encourages his nihilistic, fantasy "ambition" in a hedonistic environment. But then this leaves us with the very difficult question of agency.
He steals a ring for her, appearing to realize he would be caught in quick order. Bronson wishes to marry her, but seems to know already that she will reject him. During this period, Bronson becomes interested in one of the many women around his uncle Jack's house.
When Bronson tries his usual methods of shock and intimidation, the warden calmly and sincerely tells him he is "pitiful," and gives Bronson no further attention. If you continue to act in this nihilistic and godless fashion, you will die inside.Rather than the typical reactionary anger Bronson has received in the past, the new warden takes a different tack. What have you got?Warden: What do you want us to do with you? Bronson: Fuck off! Warden: I can promise you this. The warden is on the other end.Bronson: I'm going to snap his neck unless I get what I want! Warden: What do you want Charles? Bronson: (a bit puzzled) Well.
When Bronson has finished his "masterpiece," he tells the officers he is done, signaling to them he is now ready for his traditional, violent take down melee. Not surprisingly, this provokes a severe aggressive outburst from Bronson who snarls, "What do you know about what I fuckin' want?"Bronson proceeds to take the art therapist hostage, tying him up, and turning him into a piece of living artwork that suspiciously resembles Bronson himself. The therapist tells Bronson that the warden will recognize his artistic genius, and Bronson will "finally get" what he's always wanted. The art therapist speaks poorly of the warden after the warden indicates that he will look at Bronson's art at a later time instead of immediately. This seems to represent a potential healthy avenue for sublimation, were it not for the art therapist (another distinctly effeminate character) relying on splitting to ingratiate himself to Bronson.Here we again see the the theme of absent limit setting and unhelpful role modeling. It is during this time that Bronson appears to become very invested in art therapy.
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