A post shared by Lana Del Rey April, the singer first hinted at the album’s release for 4 th July 2021 with different album artwork to the one shared when Del Rey reported the news of the album’s delay. Fans created a petition to ban Del Rey from the photo editing app PicsArt in response to the design of the initial cover art.The internet really bullied lana del rey into changing her album art and i think that’s beautiful <3— black lives still matter ! July 8, 2021Even though the release of the album has been pushed back, Del Rey has shared an excerpt of an unreleased single, where she sings along to a slow piano track. The singer has hinted at the “soonish” release of the single and that the album will be “out later later”, with an official release date to be announced. And damn! As it happens when it comes to my amazing friends and this cover yes there are people of color on this records picture and that’s all I’ll say about that but thank you.My beautiful friend Valerie from Del Rio Mexico, my dearest friend Alex and my gorgeous friend Dakota Rain as well as my sweetheart Tatiana. The album is the follow-up to 2019’s ‘Norman Fucking Rockwell’.I also want to say that with everything going on this year! And no this was not intended-these are my best friends, since you are asking today. Lana Del Rey fans have been waiting for this ever since the album was originally announced back in 2019.Kill Kill (2008) & Lana Del Rey (2012) Now, these were totally separate EPs - Kill Kill was recorded/released under the Lizzy Grant guise whilst Lana Del Rey was released as Lana - but they’re both entirely made up of tracks that made it into studio albums (Lana Del Ray and Born To Die, respectively).The album features “Let Me Love You Like A Woman” which has already been released and the title track, which is set to be dropped on Tuesday.Lana Del Rey Deactivating All Social Media Accounts, Which is For the Best Lana Del Rey Details New Album Blue Banisters, Shares Video New Song ArcadiaIn a comment on the Instagram post Lana said, “ There’s always turmoil and upheaval and in the midst of it- there’s always beautiful music too introducing my new album chemtrails over the country club”.‘ Chemtrails Over The Country Club’ Tracklisting‘Chemtrails Over The Country’ was supposed to be released last year but had been postponed due to the Covid-19 pandemic.
Lana Del Rey Album Cover How To Get Involved
Luckily, I adore ugly things, both in their attempted seriousness or their blatant disregard for visual organization, which often occur simultaneously. There’s a lot of ugly album cover art in the world. No changes were made to this image.In-article image 1 courtesy of via instagram.com. No changes were made to this image.In-article image 2 courtesy of via twitter.com. No changes were made to this image.For more content including news, reviews, entertainment, lifestyle, features, sport and so much more, follow us on Twitter and Instagram , and like our Facebook page for more articles and information on how to get involved.If you can’t get enough of Impact Music, follow us on Instagram , Twitter and Facebook for updates on our latest articles, and follow our Spotify to find playlists made by our very own writers. In 11 years working I have always been extremely inclusive without even trying to.
Here are the strangest of the strange, from the pedestrian to the bewildering.Let’s go back to a simpler time, before the H&M commercials and twirls on Saturday Night Live. As curious as some of her artistic decisions may be, I find there’s an aesthetic arc at work nonetheless, one that finds inspiration in both the esoteric imaginings of the American cultural consciousness, and the everyday beauty of off-center selfies and lackluster lighting. Yesterday, she announced the official release date for her fifth album, Normal Fucking Rockwell!, alongside its tracklist and cover art, and it sure is…something. There’s a lot of cover art to choose from: singles, EPs, albums, not to mention her unreleased material that lingers in the darkened corners of the Internet.
The Microsoft Word-esque typography rests in stark black against a washed-out, beige wall, as nondescript as it is blasé. She’s a singer in transition–not really Lizzy, and not yet Lana, expressed by the album’s art through its conflicting imagery. There’s an inkling of her interest in a mythical America, but she doesn’t yet have the means of expressing it fully. The album showcases a Del Rey not yet fully formed.
With so much going on, it’s important to remember that gaudy, English-style font, so brazenly plastered across the cover art as if it belongs anywhere outside of a high school production of anything by Shakespeare, is truly the most egregious aspect of the entire composition.Hazy, supersaturated, and nonsensical are all words that fit the Urban Outfitters exclusive vinyl cover for Del Rey’s third official album, Ultraviolence. In it, she quotes both Walt Whitman’s “I Sing the Body Electric” and Allen Ginsberg’s “Howl,” reimagines herself as both Eve in the Garden of Eden and a stripper, while Marilyn Monroe, Jesus, Elvis, and John Wayne watch on. The short film Tropico is not subtle either, exaggerating Del Rey’s fascination with the darker side of Americana. It’s over-exposed, it’s obvious, and that’s exactly how it should be. Del Rey, demurely posed in Robin’s egg blue as a Virgin Mary lookalike, is bathed in the flash of a camera. The spotlight, much like the art direction, is present, though not quite focused.The cover of this digital EP–featuring the three songs included in the short film of the same name–is bland, for sure.
Gone are the greyscale visuals of her previous album, Ultraviolence. She would be direct in her statements, forthright in her songwriting, and when she declared, in the album’s first single, that she just wanted to smoke weed by the seashore, she meant it. I rest my case.When it came to her fourth album, Honeymoon, Del Rey was through with metaphors. That bridge? Relentless and ravishing. Just as distressed as I was upon first hearing “Shades of Cool,” the album’s second single. Brash as it may be, this particular cover is best encapsulated in one word: distressed.
This marks a shift away from the melancholic, golden-hued ingenue of Paradise, placing Lana not in the proverbial spotlight, but rather as a voyeur, more interested in analyzing stardom writ-large than composing a tragical narrative for herself to star in. Period.Lana leans heavily into her obsession with the glamour and intrigue of Old Hollywood for the Honeymoon cover, shot by her sister Chuck Grant, while posing on a sightseeing bus tour. The drama is palpable, and the message is clear: graceful as she seems, she won’t not fuck you the fuck up. The song’s video is even more ambitious in its redesign of Del Rey’s persona, especially when she blows up a paparazzi helicopter with a steampunk gun she keeps in a guitar case below her beach house.
What more could you want?“Hope is a dangerous thing for a woman like me to have – but I have it” (2019)Like “Mariner’s Apartment Complex” before it, the cover for “Hope is a dangerous thing for a woman like me to have – but I have it” continues the trend of MySpace-era self-portraits, though this time Lana opts for a subtle black-and-white filter. So what?” It’s refined, it’s pedestrian, it’s of the people, and for the people. She stares back with a face that reads, “Yeah, my shirt says ‘Venice bitch’ on it. At this point in her career, you know what you’re getting: wistful melodies and ruminations on being young, American, and free.
The truth is, Del Rey has never been disingenuous about anything she does, and this is her at her most heartfelt, her most zealous, her most confident. It would be unfair to deem the album a parody of itself, since that would infer a self-awareness that hints toward the insincere and ironic. The album art represents her obsession with American popular culture overflowing with a romanticization of a country that never really existed, expressed through comic book-style typography, yet another Kennedy reference, and Jack Nicholson’s grandson.
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